A lot of you have probably seen this John Barnes analysis of the “Scott Thomas” oeuvre. The Barnes piece uses a semiotics-based inquiry to deconstruct Thomas’ writings. (Don’t worry – I wouldn’t have understood that sentence before reading the Barnes piece, either.) In spite of the Greenwaldian length of Barnes’ effort, I found it fascinating but, as the author concedes, proof of nothing. What most leapt out at me was this passage of objective fact:
How did New Republic get so badly fooled? One might point out they have rather a record of being badly fooled – they were after all the home of Stephen Glass, and one of their editors was Michael Straight who belonged to the same Soviet spy ring as Kim Philby. But I think a more proximate explanation is simply to look at Franklin Foer's biography. He's only 31, and before becoming editor, he was at The New Republic for eight years. A bit of arithmetic tells you that he hasn't done much else.
Or look at this interview from when he took the job; you're not dealing with a guy with any broad experience of life here – he's essentially had one job in his life and he thinks about policy, not news. One of his major goals as the new editor seems to be to reverse Peter Beinart's pro-Iraq War stance, and to build up readership, which even a wonk such as himself can recognize will mean talking about the world we live in rather than the policies he plays with.
So here's our boy Foer. New on the job. Trying to move away from policy, which he understands (or at least does a credible job of manipulating the signs for) to reporting and attracting an audience, which he doesn't. Hasn't been outside the little world of big thoughts, but knows he's got to go there if the magazine that has been his whole working life is to survive.
To supplement this analysis, I did a little bit of Googling and found a New York Times article from February 28, 2006, that heralded Foer’s arrival at TNR’s pinnacle. Here’s Frank Foer modestly assessing his magazine:
"The New Republic deserves its self-seriousness, in part because it has a long, rich history of argument and a very keen moral sense. The challenge is to transcend that self-seriousness and produce journalism that people read… We live in the most politicized age since the 60's, and I don't think that political journalism has been up to the task. The good old-fashioned things that a political journal does — the explication of ideas and ideas — are not in great abundance right now."
Doesn’t it all make sense now? TNR isn’t in the business of actually producing journalism. Its main mission is “the explication of ideas.” The purpose in running the Scott Thomas pieces was to explicate ideas, namely the ideas that the troops in Iraq are sociopaths, and that the Bush administration turned them into sociopaths.
We still don’t know whether Scott Thomas’ biography conforms with what TNR has claimed or whether his tales are rank fiction, embellishments based on a kernel of fact or gospel truth. Regardless, seldom has the agenda of a media outlet been so thoroughly exposed. TNR and Franklin Foer wanted to explicate some ideas about the Iraq war. Even if the anecdotes they used to explicate those ideas were true, that fact would hardly mitigate the vileness of the Thomas pieces or TNR’s unconscionable decision to run them.
IN THE COMMENTS SECTION A FEW DAYS ago, someone demanded to know what my background was, and what gave me the right to foist my opinions on the public. It struck me as an unintentionally hilarious line of inquiry. Unfortunately, I’m unable to force anyone to read what I write, and I’m also unable to force any magazine or newspaper to publish and pay me for what I write.
But it got me thinking – I did two things of substance before becoming a self-proclaimed writer. And I’m not counting graduating Harvard or B.U. Law School as things of substance. Those are relics of childhood, and few adults look at their school days as serious business unless they attended one of the military academies.
The first of the two things was spending over a decade starting and running a business. There are a few things that you have to be able to do if you want to survive in business. One is you have to be aware of what you don’t know, and be willing to bring yourself up to speed in those areas. Another is you have to be able to adapt to changing circumstances. I started my business in 1993, before Al Gore had gotten around to commercially distributing the internet. The ‘net changed my industry. Those who didn’t adapt didn’t last.
The other thing I did of substance was I went through and survived a period of serious, life threatening illness. I’m still here because of luck – I can’t take credit for my good fortune. But going from a healthy young guy who worked 70 hour weeks to someone who today has the lung function of the typical 90 year old (seriously) gave me perspective that I otherwise wouldn’t have.
A couple of weeks ago, I was musing to my wife that I wish I had just been a writer all along. If I had been doing this for 18 years instead of three years, I’d be better at it. And who knows what level of success I might be enjoying? I could even be Andrew Sullivan!
My wife gave me that look that she gives the dogs when they pee on the rug and said, “If you didn’t have the life-experiences that you’ve had, you wouldn’t be the writer that you are.”
I’M NOT SAYING THAT SOMEONE who has only written for a living can’t produce important and brilliant work. But a professional writer who thinks he knows everything? That’s as useless a creature that has ever wandered the earth.
There are reasons that guys like Andy Ferguson and Malcolm Gladwell are writers that other writers look up to. Ferguson and Gladwell learn about their subjects inside and out. They look at things critically and skeptically. Each one of their projects looks like they’ve jammed 10 pounds of reporting into a 5 pound bag. They don’t go into a project assuming they know everything there is to know, and that their job is to merely “explicate” the obvious to the less mentally acute.
On the other hand, you have guys like Franklin Foer. To take one example of his ignorance, Foer clearly doesn’t understand military terminology or military equipment. There’s no great sin in that. Since I’ve been writing, I’ve learned obvious things like the words “former” and “Marine” should never be juxtaposed. Why, just in the past week, I’ve learned the difference between a Dining Facility (DFAC) and a “Chow hall.”
Foer’s problem is, since he thinks he knows everything, his job is merely to “explicate ideas” to less knowledgeable and insightful people. If he admitted to himself that he doesn’t know jack about military matters, he would have run Scott Thomas’ pieces by someone who did.
Alas, that brings us back to where we started. The reason Foer suspended the skeptical nature he probably deploys when reading a Defense Department press release is that the collected works of Scott Thomas did a wonderful job of “explicating ideas” that Franklin Foer found hospitable. Whether said explication was accurate or trustworthy were clearly matters beneath Franklin Foer’s pay grade.
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